UMzantsi weNetherlands, owahlala uphantsi kolawulo lwaseSpeyin, lwamaRoma Katolika, waba nendima ebalulekileyo ekusasazeni imifanekiso eqingqiweyo yeBaroque kuMntla Yurophu. IContrareformation yamaRoma Katolika yayifuna ukuba amagcisa enze imizobo nemifanekiso ekroliweyo kwiimeko zecawa eza kuthetha nabantu abangafundanga endaweni yokuthetha nabo banolwazi. IContrareformation yagxininisa iingongoma ezithile zemfundiso yonqulo, nto leyo eyaphumela ekubeni ifanitshala ethile yecawa, njengaleyo yezobuvumo yezobuvumo ibe yebaluleke ngakumbi. Ezi nkqubela zabangela ukwanda ngokukhawuleza kwemfuneko yemifanekiso eqingqiweyo yonqulo kuMazantsi eNetherlands.[17] Indima ebalulekileyo yadlalwa ngumkroli waseBrussels uFrançois Duquesnoy owasebenzela uninzi lomsebenzi wakhe eRoma. Isimbo sakhe seBaroque esicokisekileyo esisondele ngakumbi kwi-Classicism yaseBernini sasasazwa kwi-Southern Netherlands ngomntakwabo uJerôme Duquesnoy (II) kunye namanye amagcisa aseFlemish awayefunda kwiworkshop yakhe eRoma njengoRombaut Pauwels kwaye mhlawumbi noArtus Quellinus oMdala. 18][19]

Oyena mkroli ubalaseleyo yayinguArtus Quellinus oMdala, ilungu lentsapho yabakroli nabapeyinti abadumileyo, kunye nomzala nenkosi yomnye umkroli odumileyo waseFlemish, uArtus Quellinus Omncinane. Uzalelwe e-Antwerp, uchithe ixesha eRoma apho waqhelana nomzobo weBaroque wasekhaya kunye nowakowabo uFrançois Duquesnoy. Ekubuyeleni kwakhe e-Antwerp ngo-1640, weza nombono omtsha wendima yomkroli. Umkroli wayengasayi kuba ngumzobi kodwa wayengumyili wemizobo epheleleyo apho amacandelo okwakha athatyathelwa indawo yimifanekiso eqingqiweyo. Ifenitshala yecawa yaba sisihlandlo sokwenza iingoma ezinkulu, ezidityaniswe nengaphakathi lecawa.[4] Ukususela ngowe-1650 ukuya phambili, uQuellinus wasebenza iminyaka eli-15 kwiholo entsha yesixeko saseAmsterdam kunye nomyili ophambili uJacob van Campen. Ngoku ebizwa ngokuba yiRoyal Palace kwiDama, le projekthi yokwakha, kwaye ngokukodwa imihombiso eyenziwe ngebhastile kunye neworkshop yakhe, yaba ngumzekelo kwezinye izakhiwo zaseAmsterdam. Iqela labakroli elalijongiwe nguArtus ngexesha lomsebenzi wakhe kwiholo yesixeko saseAmsterdam laliquka abakroli abaninzi, ingakumbi abasuka eFlanders, ababeza kuba ngabakroli abakhokelayo ngokwabo njengomzala wakhe uArtus Quellinus II, uRombout Verhulst, uBartholomeus Eggers noGabriël Grupello kwaye mhlawumbi. kwakhona Grinling Gibbons. Babeza kusasaza isaci sakhe seBaroque kwiRiphabliki yaseDatshi, eJamani naseNgilani. [20][21] Omnye umdwebi obalulekileyo weFlemish Baroque nguLucas Fayderbe (1617-1697) owayesuka eMechelen, isikhungo sesibini esibalulekileyo somfanekiso oqingqiweyo weBaroque eMzantsi Netherlands. Waqeqeshwa e-Antwerp kwiworkshop yaseRubens kwaye wadlala indima enkulu ekusasazeni umfanekiso oqingqiweyo weBaroque eMazantsi eNetherlands. [22]

Ngelixa i-Southern Netherlands ibone njengokuhla okunyukayo kwinqanaba lemveliso kunye nodumo lwesikolo sayo sokupeyinta kwisiqingatha sesibini senkulungwane ye-17th, umfanekiso oqingqiweyo uthathe indawo yokupeyinta ngokubaluleka, phantsi kwempembelelo yemfuno yasekhaya neyamazwe aphesheya kunye nenkulu, ephezulu- umgangatho wemveliso yenani leendibano zocweyo zosapho e-Antwerp. Ngokukodwa, iindibano zocweyo zikaQuellinus, uJan noRobrecht Colyn de Nole, uJan noCornelis van Mildert, uHubrecht noNorbert van den Eynde, uPeter I, uPeter II noHendrik Frans Verbrugghen, uWillem noWillem Ignatius Kerricx, uPieter Scheemaeckers kunye noLodewijk Willemsen. uluhlu olubanzi lwemifanekiso eqingqiweyo ebandakanya ifanitshala yecawa, amatye ezikhumbuzo kunye nemikrolo emincinane eyenziwe ngeempondo zendlovu kunye nemithi eyomeleleyo efana ne-boxwood.[17] Ngelixa u-Artus Quellinus oMdala wayemele iBaroque ephezulu, isigaba esichulumancisayo ngakumbi seBaroque ekubhekiselwa kuso njengeBaroque yasemva kwexesha saqala ngo-1660s. Ngesi sigaba imisebenzi yaba yeyomdlalo weqonga ngakumbi, yabonakaliswa ngomboniso ochulumancisayo wenkolo kunye nemihombiso emnandi, yokuhombisa.