Umfanekiso oqingqiweyo weBaroque wamandulo eNgilani waphenjelelwa kukuthontelana kweembacu ezivela kwiiMfazwe zeNkolo kwilizwekazi. Omnye wabakroli bokuqala abangamaNgesi ukwamkela isimbo yayinguNicholas Stone (Okwabizwa ngokuba nguNicholas Stone oMdala) (1586–1652). Wafunda nomnye umkroli oliNgesi, u-Isaak James, waza ngowe-1601 wafunda nomkroli owaziwayo ongumDatshi uHendrick de Keyser, owayezigcinele ingcwele eNgilani. U-Stone wabuyela eHolland kunye no-de Keyser, watshata nentombi yakhe, kwaye wasebenza kwi-studio yakhe kwiRiphabhliki yaseDatshi de wabuyela eNgilani ngo-1613. kaLady Elizabeth Carey (1617–18) kunye nengcwaba likaSir William Curle (1617). Njengabakroli bamaDatshi, waphinda walungelelanisa ukusetyenziswa kwelitye lebhastile elimnyama nelimhlophe kwizikhumbuzo zomngcwabo, i-drapery eneenkcukacha ngocoselelo, kunye nobuso kunye nezandla ezinendalo emangalisayo kunye nenyani. Kwangaxeshanye wayesebenza njengomkroli, wayekwasebenzisana njengomakhi wezakhiwo kunye no-Inigo Jones. [28]

Kwisiqingatha sesibini senkulungwane ye-18, umkroli we-Anglo-Dutch kunye nomkroli wemithi uGrinling Gibbons (1648 - 1721), ekusenokwenzeka ukuba waqeqeshwa kwiRiphabhliki yaseDatshi wenza imifanekiso eqingqiweyo yeBaroque eNgilani, kuquka iWindsor Castle kunye neHampton Court Palace, iSt. Paul Cathedral kunye nezinye iicawa zaseLondon. Uninzi lomsebenzi wakhe kwikalika (Tilia) iinkuni, ingakumbi zokuhombisa iintyatyambo Baroque.[29] INgilani yayingenaso isikolo semikroli esasinokubonelela ngemfuneko yamangcwaba ezikhumbuzo, imifanekiso eqingqiweyo kunye nezikhumbuzo zamadoda aziingqondi (abo babizwa ngokuba ngamaNgesi afanelekileyo). Ngenxa yoko abakroli belizwekazi badlala indima ebalulekileyo ekuphuhliseni umfanekiso oqingqiweyo weBaroque eNgilani. Abakroli abahlukeneyo beFlemish babesebenza eNgilani ukusuka kwisiqingatha sesibini senkulungwane ye-17, kuquka uArtus Quellinus III, uAntoon Verhuke, uJohn Nost, uPeter van Dievoet noLaurens van der Meulen.[30] La magcisa aseFlemish ahlala esebenzisana namagcisa asekuhlaleni afana namaGibbons. Umzekelo ngumfanekiso oqingqiweyo ka-Equestrian kaCharles II ekusenokwenzeka ukuba uQuellinus wakrola iipaneli zokuhlangula zesiseko sebhastile, emva koyilo lweGibbons. [31]

Ngenkulungwane ye-18, isimbo seBaroque sasiya kuqhutyekwa nokuthontelana okutsha kwamagcisa elizwekazi, kuquka abakroli beFlemish uPeter Scheemakers, uLaurent Delvaux noJohn Michael Rysbrack kunye nomFrentshi uLouis François Roubiliac (1707-1767). URysbrack wayengomnye wabakroli abaphambili bezikhumbuzo, imihombiso yezakhiwo kunye nemifanekiso kwisiqingatha sokuqala senkulungwane ye-18. Isitayile sakhe sidibanise iFlemish Baroque kunye neempembelelo zeClassical. Waqhuba iworkshop ebalulekileyo ogama isiphumo washiya imprint ebalulekileyo kuqheliselo sculpture eNgilani. [32] URoubiliac wafika eLondon c. Ngo-1730, emva koqeqesho phantsi kweBalthasar Permoser eDresden kunye noNicolas Coustou eParis. Wafumana igama njengomkroli wemifanekiso waza kamva wasebenza kumatye esikhumbuzo engcwaba. [33] imisebenzi yakhe edumileyo yayiquka bust of umqambi Handel, [34] wenza ngexesha Handel ubomi kumxhasi we Vauxhall Gardens kunye nengcwaba likaYosefu kunye Lady Elizabeth Nightengale (1760). UNenekazi uElizabeth wasweleka kabuhlungu kukuzala kobuxoki okwabangelwa kukubethwa ngumbane ngo-1731, kwaye isikhumbuzo somngcwabo sathinjwa ngenyani enkulu indlela yokufa kwakhe. Imifanekiso yakhe eqingqiweyo kunye neebhasi zazibonisa abantu bakhe njengoko benjalo. Babenxibe iimpahla eziqhelekileyo kwaye banikwa imo yendalo kunye neentetho, ngaphandle kokuzenzisa kwamagorha.[35] Imizobo yakhe yomfanekiso ibonakalisa ukuqaqamba okukhulu kwaye ke yayahlukile kunyango olubanzi lweRysbrack