Umfanekiso oqingqiweyo weBaroque ngumfanekiso oqingqiweyo ohambelana nesimbo seBaroque kwixesha eliphakathi kwe-17th kunye ne-18th yenkulungwane yokuqala. Kwi-sculpture ye-Baroque, amaqela amanani athatha ukubaluleka okutsha, kwaye kwakukho ukunyakaza okuguquguqukayo kunye namandla eefom zomntu-ajikeleza nge-vortex ephakathi engenanto, okanye afikelele ngaphandle kwindawo ejikelezileyo. Umfanekiso oqingqiweyo weBaroque wawusoloko uneengile ezininzi ezifanelekileyo zokujonga, kwaye ubonakalisa ukuqhubeka ngokubanzi kweRenaissance isuka kude nempumlo ukuya kumfanekiso oqingqiweyo owenziwe kumjikelo, kwaye uyilelwe ukuba ubekwe embindini wesithuba esikhulu—imithombo enzulu njengeGian Lorenzo Bernini’s Fontana. I-dei Quattro Fiumi (eRoma, ngo-1651), okanye ezo zikwiMiyezo yaseVersailles yayiziincasa zeBaroque. Isitayela seBaroque sasifaneleke ngokugqibeleleyo kwimifanekiso eqingqiweyo, kunye noBernini olawulayo weminyaka kwimisebenzi efana ne-Ecstasy yaseSt Theresa (1647-1652) [1]. Imifanekiso eqingqiweyo yeBaroque eninzi yongeza izinto ezingaphezulu, umzekelo, ukukhanya okufihliweyo, okanye imithombo yamanzi, okanye i-sculpture edibeneyo kunye ne-architecture ukudala amava okuguqula umbukeli. Amagcisa ayezibona njengakwisithethe sakudala, kodwa athanda umzobo wamaGrike kwaye kamva wamaRoma, kunokuba lawo “maxesha akudala” njengoko abonwa namhlanje.[2]

Umfanekiso oqingqiweyo weBaroque ulandele iRenaissance kunye neMannerist sculpture kwaye yalandelwa yiRococo kunye neNeoclassical Sculpture. IRoma yayiliziko lokuqala apho isimbo sasekwa khona. Isimbo sasasazeka kulo lonke elaseYurophu, kwaye ngakumbi iFransi yanika ulwalathiso olutsha ngasekupheleni kwenkulungwane ye-17. Ekugqibeleni yanwenwela ngaphaya kweYurophu yaya kufikelela kwimpahla yobukoloniyali yamagunya aseYurophu, ngakumbi eLatin America nakwiiPhilippines.

UHlaziyo lwamaProtestanti lwaluyimise phantse ngokupheleleyo yonke imifanekiso eqingqiweyo yonqulo kuMntla Yurophu, yaye nangona imizobo yehlabathi, ingakumbi ikroba lemifanekiso eqingqiweyo nezikhumbuzo zamangcwaba, waqhubeka, i<em>Golden Age yaseDatshi ayinayo icandelo elibalulekileyo lemifanekiso eqingqiweyo ngaphandle komkroli wegolide.[3] Inxalenye yokusabela ngokuthe ngqo, imifanekiso eqingqiweyo yayibalasele kubuKatolika njengasekupheleni kwamaXesha Aphakathi. I-Catholic Southern Netherlands yabona ukuchuma kwemifanekiso eqingqiweyo yeBaroque ukusuka kwisiqingatha sesibini senkulungwane ye-17 kunye neendibano zocweyo ezininzi zasekhaya ezivelisa uluhlu olubanzi lwemifanekiso eqingqiweyo yeBaroque kubandakanya ifanitshala yecawa, izikhumbuzo zomngcwabo kunye nemifanekiso emincinci eqingqwe kwiimpondo zendlovu kunye nemithi ehlala ihleli njengebhokisi. . Abakroli be-Flemish babeza kudlala indima ephambili ekusasazeni isaci seBaroque phesheya kuquka kwiRiphabliki yaseDatshi, eItali, eNgilani, eSweden naseFransi.

Ngenkulungwane ye-18 imizobo emininzi yaqhubeka kwimigca yeBaroque-iTrevi Fountain yagqitywa kuphela ngo-1762. Isimbo seRococo sasifaneleka ngakumbi kwimisebenzi emincinci.[5]

Imixholo
1 Imvelaphi kunye neempawu
2 UBernini kunye ne-Roman Baroque eqingqiweyo
2.1 Maderno, Mochi, kunye nabanye abakroli beBaroque baseTaliyane
3 eFransi
4 UMzantsi Netherlands
5 IRiphabhlikhi yaseDatshi
6 ENgilani
7 IJamani kunye noBukhosi baseHabsburg
8 eSpeyin
9 Latin America
10 Amanqaku
11 Uluhlu lweencwadi